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FROM QUINN RECORDS TM.
Where the sound of blues,gospel,jazz and soul music is made..
Shop At A Independent Record Store And Buy Some Awesome Music.
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SONG CHARTS FOR FRIDAY 9/18/2015
Where the sound of blues,gospel,jazz and soul music is made.
1. Ernie Johnson a.k.a. The Soul Blues Master, Lovin' You, (QR15 1243-1)03 03
2. The Divine Messengers, Tomorrow May Never Come (QR 051129 1)264 264
3. James Gilbert,The Blues This Morning (QR12 1222-1)07 07
4. Osee Anderson,Breaking Up Somebody's Home, (QR 031120 1)11 11
5. James Gilbert A Real Good Sign, (QR131232-1)11 11
6. Rev. Roy Page & The Spiritual Aires, One Day,(QR 081208 1)24 24
7. James Gilbert,Voodoo Lady (QRS14 1232-1)10 10
8. The Masonic Quintet, Draw Me Nearer (QR 031118 1)18 18
9. Charles O Collier Sr The Orig Golden Aires,You Told Me To Sing,(QR 031122 1)01 01
10.KL&R2 "Lets Go Party" (QR 14 1228- 1)01 01
Quinn Records TM Top 10 Song Chart posted Monday and Friday of each week.
NOW! You can follow and listen to us at Last.fm radio where we connect
with over 42 million music fans.
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RECOMMENDED ALBUM OF THE WEEK: -
JAZZ ON WASHINGTON AVENUE
by Oliver Johnson &Trio 
CAT# QR081308-5
Title: JAZZ ON WASHINGTON AVENUE
Artists: Oliver Johnson & Trio
Format: CD
Genre: Jazz
UPC: 612170813085
List Price: $ 15.98
Special formats available;
- 12"Vinyl
- Cassette Tape
TRACK LISTING:
1. Take It To High 4:49,
2. Dear Old Stockholm 6:15,
3. If I Were A Bell 6:24,
4. Foot Prints 4:58,
5. This I Dig Of You 4:02,
6. Eternal Triangle 3:54,
7. Mr. Kenyata 7:02,
8. Quiet Storm 4:10,
9. Brazil 4:53,
10. In The Moment 4:20,
Our Website: www.quinnrecord.net
Facebook: facebook.com/thestlouisrecordlabel
Twitter: Twitter.com/quinnrecords
LinkedIn: LinkedIn/quinnrecords
YouTube: https://youtu.be/CsKJPaQze4k
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VIDEO OF THE WEEK: -
Bill Haley Interview,the Original King of Rock n' Roll
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PICTURE OF THE WEEK:
Big Mama Thornton
Willie Mae "Big Mama" Thornton (December 11, 1926 – July 25, 1984) was an American rhythm and blues singer and songwriter. She was the first to record Leiber and Stoller's "Hound Dog" in 1952, which became her biggest hit.
It spent seven weeks at number one on the Billboard R&B charts in 1953 and sold almost two million copies.
However, her success was overshadowed three years later, when Elvis Presley recorded his more popular rendition of "Hound Dog". Similarly, Thornton's "Ball 'n' Chain" (written in 1961 but not released until 1968) had a bigger impact when performed and recorded by Janis Joplin in the late 1960s.
Thornton's performances were characterized by her deep, powerful voice and strong sense of self. She was given her nickname, "Big Mama," by Frank Schiffman, manager of Harlem's Apollo Theater, due to her big voice, size, and personality.
Thornton specialized in playing drums and harmonica as well as singing, and she taught herself how to play these
instruments simply by watching other musicians perform. Her style was heavily influenced by the gospel music that she witnessed growing up in the home of a preacher, though her genre could be described as blues.
Thornton was famous for her transgressive gender expression. She often dressed as a man in her performances, wearing items such as work shirts and slacks. This led to many rumors about her sexuality, though none confirmed. Her improvisation was a notable part of her performance.
She often enters call-and-response exchanges with her band, inserting confident and notably subversive remarks.
Her play with gender and sexuality set the stage for later rock 'n' roll artists' own plays with sexuality.
Feminist scholars such as Maureen Mahon often praise Thornton for subverting traditional roles of African American women. She added a female voice to a field that was dominated by white males, and her strong personality transgressed patriarchal and white supremacist stereotypes of what an African American woman should be.
This transgression was an integral part of her performance and stage persona.
Thornton's birth certificate states that she was born in Ariton, Alabama,but in an interview with Chris Strachwitz she claims Montgomery, Alabama as her birthplace, probably because Montgomery was a better known place than Ariton.
Her introduction to music started in a Baptist church, where her father was a minister and her mother a church singer.
She and her six siblings began to sing at very early ages. Her mother died early and Thornton left school and got a job washing and cleaning spittoons in the local tavern. In 1940 Thornton left home and, with the help of Diamond Teeth Mary,joined Sammy Greens Hot Harlem Revue and was soon billed as the “New Bessie Smith”. Although her introduction to music started within the church, Thornton's musical education came through pure observation of Rhythm and Blues artists Bessie Smith and Memphis Minnie, whom she admired deeply.
With the change that Rhythm and Blues was experiencing in the late 1940s, Thornton’s career began to take off when she moved to Houston in 1948. "A new kind of popular blues was coming out of the clubs in Texas and Los Angeles, full of brass horns, jumpy rhythms, and wisecracking lyrics. She signed a recording contract with Peacock Records in 1951 and performed at the Apollo Theater in 1952. Also in 1952, she recorded "Hound Dog" while working with another Peacock artist, Johnny Otis. Songwriters Jerry Leiber and Mike Stoller were present at the recording, with Leiber demonstrating the song in the vocal style they had envisioned. The record was produced by Leiber and Stoller as Otis had to play drums
after it was found that the original drummer couldn't play an adequate part. It was the first time Leiber and Stoller produced a recording, which went to number one on the R&B chart. Although the record made her a star, she saw little of the profits. On Christmas Day 1954 in a Houston, Texas theatre she witnessed fellow performer Johnny Ace accidentally
shoot himself to death while playing with a gun. Thornton continued to record for Peacock until 1957 and performed in R&B package tours with Junior Parker and Esther Phillips. Thornton originally recorded her song "Ball and Chain" for Bay-Tone Records in the early 1960s, "and though the label chose not to release the song…they did hold on to the
copyright—which meant that Thornton missed out on the publishing royalties when Janis Joplin recorded the song later in the decade.
As her career began to fade in the late 1950s and early 1960s, she left Houston and relocated to the San Francisco Bay Area, "playing clubs in San Francisco and L.A. and recording for a succession of labels", notably Berkeley-based Arhoolie Records. In 1965, she toured with the American Folk Blues Festival package in Europe, where her success was notable "because very few female blues singers at that time had ever enjoyed success across the Atlantic."
While in England that year, she recorded her first album for Arhoolie, titled Big Mama Thornton – In Europe.
It featured backing by blues veterans Buddy Guy (guitar), Fred Below (drums), Eddie Boyd (keyboards), Jimmy Lee Robinson (bass), and Walter "Shakey" Horton (harmonica), except for three songs on which Fred McDowell provided acoustic slide guitar.
In 1966, Thornton recorded her second album for Arhoolie titled Big Mama Thornton with the Muddy Waters Blues Band – 1966, with Muddy Waters (guitar), Sammy Lawhorn (guitar), James Cotton (harmonica), Otis Spann (piano), Luther Johnson (bass guitar), and Francis Clay (drums). She performed at the Monterey Jazz Festival in 1966 and 1968. Her last album for Arhoolie, Ball n' Chain, was released in 1968. It was made up of tracks from her two previous albums, plus her composition "Ball and Chain" and the standard "Wade in the Water". A small combo including her frequent guitarist Edward "Bee" Houston provided backup for the two songs. Janis Joplin and Big Brother and the Holding Company's
performance of "Ball 'n' Chain" at the Monterey Pop Festival in 1967 and release of the song on their number one album Cheap Thrills renewed interest in Thornton's career.
By 1969, she signed with Mercury Records. Mercury released her most successful album, Stronger Than Dirt, which reached number 198 in the Billboard Top 200 record chart. Thornton had now signed a contract with Pentagram Records and could finally fulfill one of her biggest dreams. A blues woman and the daughter of a preacher, Thornton loved the blues and what she called the “good singing” of gospel artists like the Dixie Hummingbirds and Mahalia Jackson. That’s why she always wanted to record a gospel record. And of course Thornton really had the power to sing those gospel songs, and with the album called Saved (PE 10005), she achieved her longtime goal. You can hear the gospel classics “Oh, Happy Day,” “Down By The Riverside,” “Glory, Glory Hallelujah,” “He’s Got The Whole World In His Hands,” “Lord Save Me,” “Swing Low, Sweet Chariot,” “One More River” and “Go Down Moses” on this LP.
By now the American blues revival had come to an end. While the original blues acts like Big Mama Thornton mostly played smaller venues, younger people played their versions of blues in massive arenas for big money. Since the blues had seeped into other genres of music, the blues musician no longer needed impoverishment or geography for
substantiation; the style was enough. While at home the offers became fewer and smaller, things changed for good in 1972. Again, like seven years before, the reason was a call from Europe. Thornton was asked to rejoin the American Folk Blues Festival tour and, since she always thought of Europe as a very good place for her and given the lack of engagements in the U.S. she agreed happily. Thus, on March 2, the tour brought Big Mama Thornton to Germany, France, Switzerland, Austria, Italy, the Netherlands, Denmark, Norway, and Finland ending on March 27 in Stockholm. With her on the bill were Eddie Boyd,
Big Joe Williams, Robert Pete Williams, T- Bone Walker, Paul Lenart, Hartley Severns, Edward Taylor and Vinton Johnson.
As in 1965 they garnered recognition and respect from other great musicians who wanted to see them. In the 1970s, years of heavy drinking began to hurt Thornton's health. She was in a serious auto accident, but recovered to perform at the 1973 Newport Jazz Festival with Muddy Waters, B.B. King, and Eddie "Cleanhead" Vinson, a recording of which is called
The Blues—A Real Summit Meeting released by Buddha Records. Thornton's last albums were Jail and Sassy Mama for Vanguard Records in 1975. Other songs from the recording session were released in the 2000 under the name Big Mama Swings.
Jail captured her performances during mid-1970s concerts at two Northwestern U.S. prisons. She was backed by a blues ensemble that featured sustained jams from George "Harmonica" Smith, as well as guitarists Doug Macleod, Bee Houston and Steve Wachsman, drummer Todd Nelson, saxophonist Bill Potter, bassist Bruce Sieverson, and pianist J. D. Nicholson.
She toured intensive through the US and Canada, played at the Juneteenth Blues Fest in Houston and shared the bill with John Lee Hooker. In 1979, she performed at the San Francisco Blues Festival and the Newport Jazz Festival in 1980.
In the early 1970s, Thornton's sexual proclivities became a question among blues fans. Big Mama also performed in the Blues Is A Woman concert that year, alongside classic blues legend Sippie Wallace, sporting a man's 3-piece suit, straw hat, and gold watch. She sat at stage center and played the pieces she wanted to play that were not on the program.
Big Mama Thornton took part in the Tribal Stomp at Monterey Fairgrounds, Third Annual Sacramento Blues Festival, the Los Angeles Bicentennial Blues with BB King and Muddy Waters, was guest at an ABC-TV Special hosted by actor Hal Holbrook joined by Aretha Franklin and toured through the clubscene. She was also part of the award-winning PBS
television special Three Generations of the Blues with Sippie Wallace and Jeannie Cheatham. Thornton died at age 57 in Los Angeles July 25, 1984 of heart and liver complications due to her long-standing alcohol abuse. Her weight dropped
from 350 to 95 pounds within a short period of time; that is a total of 255 pounds that she lost because of her critical condition.
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COMING SOON:
EVERY SATURDAY AND SUNDAY ON GINO-FM INTERNET RADIO...
Saturday evening from 4 pm to 6 pm and back again on Sunday from 4pm til 6pm with THE DJ SLICK RICK'S JAZZ HOUR laying down some of the sweetest tracks of modern,smooth and straight ahead Jazz music, you just got to listen, DJ SLICK RICK'S JAZZ HOUR, and HE'S BACK! For all of you lovers out their who just wants to chill-out and lay back on a Sunday night with your Lady, while DJ SLICK RICK'S QUIET STORM brew up a lil harricane in your hearts. That's every Sunday night from 8 pm til 10 pm, THE DJ SLICK RICK"QUIET STORM"SHOW live on GINO-FM Radio. The DJ Slick Rick "Quiet Storm" Show the New Deal in town,every Saturday and Sunday, so click on at GINO-FM INTERNET RADIO "World Wide Radio"http://gino-fmradio.playtheradio.com "keep a Tab open for GINO-FM.
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COMING SOON: Full Album
B.Y.O.B.(Bringing You Ole-School Blues)
A Tribute To Bobby Bland & Friends"
A Hot New Soul n'Blues
2 Disc/20 Track CD Album,
Just Like Having Your Own Private Soul n' Blues Concert.
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COMING SOON:
September 19th, 2015
by way of Mr. ChamPoo Poo Band. So get your dancing shoes ready,clap your hands and let funk hit the roof,,,September 19th,2015 New CD Single
"Slow Twork'en"!
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NEW RELEASE: SUMMER RELEASES
STORES for ordering call 314-241-1538, same day shipping when you
by 2-PM CST........
CD/SINGLE-Ernie Johnson, Lovin You" QR15 1243-1
CD/SINGLE-James Gilbert, "Voodoo Lady" QR141232-1
CD/EP-KL&R2, Lets Go Party, QR131228-1
CD/EP-KL&R2, I Got My Swag On, QR 101224-1
CD/SINGLE-The Divine Messengers, "Power" QR142128-1
CD/SINGLE-Prince Ronnie Love,"S.O.S." QR141229-1
NEW RELEASE: WINTER/SPRING/SUMMER RELEASES AVAILABLE
AT MOST DIGITAL MUSIC STORES
are now available for you to listen,purchase and
download at the fine Digital stores named below.
So,start updating your,Playlist by adding fresh new
music. Keep your friends and family entertained
and be the guru of new sounds with Quinn Records TM's
NEW WINTER/SPRING/SUMMER RELEASE
- - KL&R2,I GOT MY SWAG ON
- - ERNIE JOHNSON, LOVIN' YOU
- - KEVIN WHEELER,LETS GO PARTY
- - KL&R2,SWEETNESS IS HER WEAKNESS
- - KL&R2,CAN YOU GET AWAY
- - KL&R2,SOMEBODY SAID
- - KL&R2,PAR-TAE! GET YOUR GROOVE ON
- - KEVIN WHEELER,DROWN IN MY ON TEARS
- - KEVIN WHEELER,SOUL OF A MAN
- - KEVIN WHEELER, DOWN IN THE VALLEY
- - THE DIVINE MESSENGERS,POWER
- - JAMES GILBERT,VOODOO LADY
- - MC LARRY MOODY,INDIA THE DANCING QUEEN
- -ERNIE JOHNSON, B.Y.O.B.(Bringing You Ole-School Blues)
- -MR. CHAMPOO POO BAND,SLOW TWORK'EN,
- THE DIVINE MESSENGERS, POWER
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AND 'HEAR IT-FIRST".
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NEW RELEASE STREET DATE
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HEAR IT-FIRST!
B.Y.O.B.(Bring You Ole School Blues (QR 151241-1) Visit President Choice- Hear It-First!
STREAMS BY SPOTIFY
September 18, 2015
1 Kl&R2 Can You Get Away
2 James Gilbert VooDoo Lady
3 Kl&R2 Par-Tae! Get Your Groove On
4 Prince Ronnie Love S.O.S.
GINO-FM INTERNET RADIO
1. JAMES GILBERT A Real Good Sign Go Slow Blues Crossing 1
2. JAMES GILBERT Voodoo Lady
3. ERNIE JOHNSON Lovin' You B.Y.O.B.(Bring You Ole-School Blues)
JIM GATES FM INTERNET RADIO
1. THE DIVINE MESSENGERS Power Power
2. JAMES GIBERT Voodoo Lady
3. ERNIE JOHNSON Lovin' You B.Y.O.B.(Bring You Ole-School Blues)
ITUNES
1. PRINCE RONNIE LOVE-S.O.S. BUY IT HERE
2. KL&R2-SOMEBODY SAID BUY IT HERE
3. MC LARRY MOODY- INDIA THE DANCING QUEEN BUY IT HERE
4. KL&R2- CAN YOU GETG AWAY BUY IT HERE
5. KL&R2- PARTY GET YOUR GOOVE ON BUY IT HERE
6. JAMES GILBERT-VOODOO LADY BUY IT HERE
7. KL&R2-SWEETNESS IS HER WEAKNESS BUY IT HERE
8. THE DIVINE MESSENGERS-POWER BUY IT HERE
9. KL&R2- I GOT MY SWAG ON BUY IT HERE
11.KL&R2- LETS GO PARTY BUY IT HERE
12.ERNIE JOHNSON - LOVIN' YOU BUY IT HERE
LAST-FM FRIDAY SEPTEMBER 18, 2015
TOP ARTISTS
LAST 7 DAYS:
1. VOODOO LADY, JAMES GILBERT
TOP TRACKS
LAST 7 DAYS:
1.KL&R2 – Drown In My Own Tears
2.KL&R2 – Down In The Valley
3.The Stooges – Search and Destroy
4.Joan Jett and the Blackhearts – Crimson and Clover
5.Billy Sheehan – The Suspense Is Killing Me
6.The Hoax – Nice Girls
7.Oliver Johnson – Drink To Much
8.Pastor Shirley Caesar – Praise Your Way Through
9.Avery*Sunshine – All In My Head
10.Ledisi – Pieces Of Me
11.KL&R2 – Soul Of A Man
12.The Stooges – I Wanna Be Your Dog
13.Eric Clapton – Cocaine
14.ZZ Top – Sharp Dressed Man
15.Joan Jett and the Blackhearts – Bad Reputation
Music Directors/Programmers/Disc Jockeys / CLUB JOCKS
ROLL-CALL LIST FOR:
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BULK-BLANK T-SHIRTS SALE:
Buy 50 Get 5 Free FOR $ 210.00
DJ Spike, got you a"DEAL" that you can't refuse!!!
QR2000TS: Fabric/Style: 6.1-ounce, 100% cotton; seamless double-needle collar, taped neck and shoulders, double-needle sleeves and bottom hem; double-needle 5-point pocket.
Size: S-XL.
Color avail. Black,Sport Gray,White.
Gildan 6.1oz. Ultra Cotton 100% Cotton T-Shirt
Size: S-XL
Qty: 50 ea.
Everyday Low Price SALE
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FREE STATION DROPS AND VOICE OVERS:
James Gilbert is taking requests for "Station Drops and Voice Overs from Blues Radio, so if you Programmers,Music Directors,DJ's and Show Hosts don't procrastinate jump aboard and get your Station ID and/or Voice Overs done by James Gilbert. It's "FREE".
Email: tigerwolfp@yahoo.com
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Request Artist's Electronic Press Kit (EPK) at bookaartist @quinnrecords.net.
For Show Dates, click here
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DOWNLOAD QUINN RECORDS TM MUSIC
"have it your way
SNEAK PEEK 33 (42nd Anniversary Addition 3-CD Box Set) with 39 song
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QUINN'S PRESIDENT CHOICE YOUTUBE CHANNEL- HEAR IT-FIRST!
Blues / Gospel / Jazz / Soul / R&B / Hip Hop Albums- AUGUST, 2015
Where the sound of blues, gospel, jazz and soul music is made...Since 1971
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HERE'S OUR NO.1 SONG FOR THIS WEEK
"ERNIE JOHNSON A.K.A. SOUL BLUES MASTER"
NO.1 SOUL N' BLUES HIT
"LOVIN' YOU"
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WHERE DO WE GO FROM HERE?
written by Dwight Quinn May 23,1973
aimed at offering high-quality, high-tech, moderately priced,traditional and contemporary blues, gospel, jazz and R&B music using only the most familiar and popular formats. We view ourselves as partners with our customers, our employees, our artists, our community, and our environment. Our aim to become a global recognized brand name, by capitalizing on the sustained interest in blues, gospel, jazz and R&B music.
Our goal is moderate growth, annual profitability and maintaining our sense of dignity.
Our motto is; “Where the sound of blues, gospel, jazz and soul music is made.”
So, Keep Your Ears UP, Eyes Open for................M O R E,
BLUES, GOSPEL, JAZZ AND SOUL MUSIC, COMING SOON! POWER!
