"Demo Success Stories" Tailored for Quinn Records TM

Based on industry developments leading into 2026, artists will receive royalties from AI training licenses through structured, recurring payment models rather than one-time lump sums. These systems are designed to treat AI-generated music as a new form of licensing, comparable to streaming or sync placements. Here is how the royalty distribution mechanisms work: Influence-Based Payouts (Proportional Compensation) Instead of a flat fee or equal distribution, most platforms are adopting "influence-based" or attribution-based payout models. AI companies are developing advanced attribution technology—similar to YouTube Content ID—that analyzes generated audio to determine which specific artists' data influenced the output. Artists earn micropayments every time an AI generates a track that references or is audibly influenced by their "sonic DNA" (style, voice, or stems). Tiered Licensing and Usage Tracking Rights-holders and artists can opt into different licensing tiers (often categorized from Tier 1 to 6) based on how much access they want to grant the AI models. Analytics Dashboards: Artists are provided with real-time dashboards and transparency reports that track exactly how many times their data was used in generations and what their earning trends are. Scope of Use: Creators can specify exactly which assets (full tracks, stems, or voice samples) are eligible for training, keeping sensitive or unreleased material out of the datasets.​ Ongoing "Recurrence" Royalties Early prototypes of AI licensing relied on fixed payouts for datasets, but the 2026 standard has shifted to a usage-based, subscription-style revenue model. This means that the label and artist receive royalty not just for the initial dataset ingestion, but continually whenever the resulting AI-generated tracks are played, downloaded, or synchronized into videos. The Indie vs. Major Debate While these frameworks are advancing, they have sparked debate over fair distribution. Major labels are pushing for pro-rata payout models based on catalog weight or chart history, meaning superstar artists would absorb most of the revenue. In contrast, advocates for independent artists argue for flat-rate dataset equality, noting that a lesser-known artist's four-bar loop is technically just as valuable for training a machine learning model as a chart-topping hit. Furthermore, while opt-in frameworks exist, some reports indicate that major labels may not seek individual artist consent for training unless the artist's specific contract legally requires it or if the AI is explicitly cloning their voice. Posted Monday March 16, 2026 By the” Q “News & Blog Team. 03/16/2026 Leave a comment Share in "Q"NEWS UPDATE

How Will Artists Receive Royalties from AI Training Licenses

Based on industry developments leading into 2026, artists will receive royalties from AI training licenses through structured, recurring payment models rather than one-time lump sums. These systems are designed to treat AI-generated music as a new form of licensing, comparable to streaming or sync placements. Here is how the royalty distribution mechanisms work: Influence-Based Payouts (Proportional Compensation) Instead of a flat fee or equal distribution, most platforms are adopting "influence-based" or attribution-based payout models. AI companies are developing advanced attribution technology—similar to YouTube Content ID—that analyzes generated audio to determine which specific artists' data influenced the output. Artists earn micropayments every time an AI generates a track that references or is audibly influenced by their "sonic DNA" (style, voice, or stems). Tiered Licensing and Usage Tracking Rights-holders and artists can opt into different licensing tiers (often categorized from Tier 1 to 6) based on how much access they want to grant the AI models. • Analytics Dashboards: Artists are provided with real-time dashboards and transparency reports that track exactly how many times their data was used in generations and what their earning trends are. • Scope of Use: Creators can specify exactly which assets (full tracks, stems, or voice samples) are eligible for training, keeping sensitive or unreleased material out of the datasets. Ongoing "Recurrence" Royalties Early prototypes of AI licensing relied on fixed payouts for datasets, but the 2026 standard has shifted to a usage-based, subscription-style revenue model. This means that the label and artist receive royalty not just for the initial dataset ingestion, but continually whenever the resulting AI-generated tracks are played, downloaded, or synchronized into videos. The Indie vs. Major Debate While these frameworks are advancing, they have sparked debate over fair distribution. Major labels are pushing for pro-rata payout models based on catalog weight or chart history, meaning superstar artists would absorb most of the revenue. In contrast, advocates for independent artists argue for flat-rate dataset equality, noting that a lesser-known artist's four-bar loop is technically just as valuable for training a machine learning model as a chart-topping hit. Furthermore, while opt-in frameworks exist, some reports indicate that major labels may not seek individual artist consent for training unless the artist's specific contract legally requires it or if the AI is explicitly cloning their voice. Posted Monday March 16, 2026 By the” Q “News & Blog Team.

CDBABY ACQUISITION.

Today's major headline for Quinn Records TM is that Universal Music Group (UMG) has officially acquired Downtown Music Holdings, the parent company of CD Baby, for $775 million. This landmark deal places one of the world's largest independent distribution platforms directly under the control of a major record label. Acquisition Details The buyout, which cleared final European regulatory approvals in late February 2026, integrates CD Baby, FUGA, and Songtrust into UMG's Virgin Music Group division. For independent labels and authentic blues, gospel, jazz, and soul artists, this marks a historic shift because a platform built on bypassing the major label system is now owned by the largest major label in the world. The European Commission thoroughly investigated the deal over market dominance concerns, resulting in the divestment of Curve Royalty Systems before granting final approval. Impact on Indie Artists The most pressing concern for small artists is UMG's recent industry push for a 1,000-stream minimum royalty threshold on platforms like Spotify, which diverts revenue from smaller, independent creators to larger mainstream artists. With UMG now profiting from both top-tier pop stars and grassroots independent acts on CD Baby, advocates worry about a direct conflict of interest regarding streaming economics. Furthermore, artists who specifically chose CD Baby to remain completely independent are now feeding valuable streaming analytics and demographic data directly into a major label's corporate ecosystem. Potential Opportunities Despite the concerns surrounding corporate consolidation, the acquisition could bring substantial structural benefits to the platform. UMG's massive financial backing and global scale may provide CD Baby users with improved distribution tools, deeper industry relationships, and expanded global infrastructure. This vertical integration aims to offer independent creators world-class support and services as their careers grow. Artist Impact Analysis Area of Impact Potential Benefits Potential Drawbacks Platform Resources Access to UMG's global scale and enhanced distribution infrastructure. Loss of true independent status for DIY artists and indie labels. Streaming Royalties Better global reach and backend administration for collecting payouts. UMG has actively lobbied for streaming royalty models that negatively impact small artists . Data Control Deeper analytics capabilities and potential upward mobility within Virgin Music Group reddit. Major labels now control the consumer data and trends of millions of independent creators . Posted Friday March 13, 2026 By the” Q “News & Blog Team.

Celebrating Melvin "Smokehouse" Moore

At Quinn Records TM, family is everything—and that includes the dedicated artists who help us keep the traditions of independent blues and soul alive. As March 14th, 2026, approaches, we are thrilled to wish a very Happy Birthday to the one and only Melvin "Smokehouse" Moore! Melvin has long been a cornerstone of our label's authentic sound. With a vocal style that echoes legends like Tyrone Davis and Albert King, he consistently delivers a genuine Southern soul groove. From his unforgettable track "Slip Away" to the undeniable blues energy of "I Ain't the One" and "Come to Me," Melvin effortlessly captures the heart of his audience. Beloved hits like "You're the Best Thing to Happen To Me" also continue to be fan favorites today. As an independent label proudly rooted in St. Louis, we are honored to feature Melvin's incredible talent in the Quinn Records TM legacy. His lasting musical contributions through D.L. Quinn Music Publishing Co. constantly remind us why we love the music business. Join us in celebrating this true bluesman! Drop your favorite "Smokehouse" track in the comments and help us wish Melvin a fantastic birthday filled with good health, great music, and plenty of soul. Happy Birthday, Smokehouse! BUY CD Posted Friday March 10,2026 by the” Q “News & Blog Team.

REMEMBERING LIL AARON MOSBY , THE LAS T EMPLOYEE. by Dwight Quinn, CEO. 2/23/2026

Today we pause to remember Lil Aaron Mosby, a recording artist, co-worker, and friend whose presence at Quinn Records TM meant far more than the music he made. Lil Aaron wasn’t just a name on our roster—he was part of the heartbeat of Quinn Records TM. As our last employee in that era, he wore many hats without ever losing his smile: artist, helper, problem-solver, and unofficial ambassador for the label. When things got busy or complicated, he had a way of keeping the room calm, cracking a joke, and reminding us why we were all here in the first place: the love of music. In the studio, Lil Aaron brought a special kind of energy. He lived inside the groove, always searching for that perfect take, that perfect line, that perfect feel. He cared about how the records sounded, but he cared even more about how they made people feel. Whether he was cutting vocals, talking through arrangements, or just hanging out during a late-night session, he had a gift for making everyone around him feel encouraged and included. As an employee, he was dependable in all the quiet ways that don’t always get seen from the outside. He showed up early, stayed late, and stepped in wherever he was needed—hauling gear, helping at events, talking with customers and fans, and keeping the day-to-day moving when things got tough. He understood that a record label is more than contracts and catalogs; it’s people, relationships, and trust. And he honored that with the way he worked. But beyond the music and the business, it’s the personal memories that stay with us: the conversations in the hallway, the laughter between takes, the stories he shared about life, family, and dreams. Lil Aaron had a way of lighting up a space just by being there. Even on hard days, he could shift the mood with a few words or a look that said, “We’ve got this.” Calling him “the last employee” at Quinn Records TM is part history and part tribute. It reminds us of a time when everything ran a little differently, when the label leaned on a small circle of people who gave it their all every single day. Lil Aaron stood at the center of that circle, helping hold everything together with his work ethic, his talent, and his heart. We honor him not only for the music he recorded, but for the life he lived among us. His contributions are in the grooves of the records, in the memories of the sessions, and in the spirit of the label that continues forward. As we look ahead to new chapters and new artists, we carry his example with us—showing up, giving our best, treating people right, and letting the music speak for itself. To Lil Aaron Mosby: thank you for your time, your talent, and your loyalty. You will always be part of the Quinn Records TM story, and you will always be remembered.

BIG NEWS: For Our Recording Artists, Boogie City Music Fans and Friends!

BIG NEWS: For Our Recording Artists, Boogie City Music Fans and Friends! Big news, recording artists! 🎶 Quinn Records™ is stepping up its game in 2026 with a brand-new promotional push — starting January 21, 2026, thru March 23, 2026, and each and every month hereafter we’re rolling out Paramount TV ads to get our sound and artists in front of more fans than “EVER”. You’ll catch Quinn Records™ featured alongside some of your favorite top TV shows on the Paramount platforms, connecting great music with great entertainment. It’s all part of our mission to reach more customers and engage new audiences across premium content. So, tune in, turn it up, and join the Boogie City groove — because this year, the sound of Quinn Records™ is going nationwide on television! Here are the Paramount TV shows that will be airing our 30 second commercial ads. 1.MOVIES 2.COP’S 3.CBS SPORT CLIPS 4.THREE’S COMPANY 5.CRIMINAL MINDS, 6.THE ANDY GRIFFIN SHOW, 7.THE X-FILE, 8.CBS NEWS CLIPS, 9.CSI, 10.MARTHA STEWART’S COOKING SCHOOL, 11.THE BEST OF FLIP WILSON, 12.MATLOCK, 12.MAN WITH A PLAN, 13.TYLER PERRY’S HOUSE OF PAYNE 14.CSI MIAMI 15.STAR TREX DEEP SPACE NINE, The first independent record label to add Prime Television to arsenal of Marketing tools, “WE AIN’T JOKING, WE’RE SMOKING! TuneIn if you like or keep scrolling! CHECK IT OUT NOW

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